This is brilliant. Directors Christian Johnson and Steve Maher have taken genuine archival footage of World War 1 and, using CGI and some re-enactment, have turned it into archival footage of the War of the Worlds (which we all know happened sometime around 1897 and the turn of the century, as chronicled by H.G. Wells).
Click through to Vimeo to watch it larger.
Source: via Steam Fantasy
Check out this impressive short giant robot film titled 第二次世界大戦で汎用人型決戦兵器が使われていたら？ （前編）– which translates (roughly) as “Purpose-Built Humanoid Decisive Battle Weapon When Used in the Second World War? (Part 1)”.
And here is Part 2:
So apparently Guillermo Del Toro’s next film, Pacific Rim, which is currently in production, will not only feature giant monsters but also giant robots to fight them — mecha style. For more information, see this Undead Backbrain article.
Here’s another truly excellent piece of robotic animation, created as a senior thesis at Ringling College of Art + Design by Robert Showalter. Showalter did everything except the music, which is by Cody Cook.
At under three minutes, with no words and luminous visuals, Origins presents us with a profound exploration of Belonging.
It’s been some time since I posted to Robot War Espresso (I’ve been busy) and even longer since anyone much has heard anything of the animated steam-punk-inspired sequel to H.G. Wells’ classic invasion tale, War of the Worlds. Directed by Joe Pearson, War of the Worlds: Goliath (which we last saw here) is looking spectacular — a 3D anime-style epic that envisages the Martian invasion as a full-on conflict, more equal now than the first invasion was in 1900, thanks to defensive machines back-engineered from the wreckage of the first wave of Martian Tripods. Thanks to Quiet Earth, we can see what advances in production the past year has brought:
View it here.
In 1900, the Earth was attacked by ruthless invaders from the planet Mars. The Martian’s 80 ft tall, heat-ray spewing, Tripod battle machines laid waste to the planet, but the invaders ultimately fell prey to Earth’s tiny bacteria.
Fourteen years later, Man has rebuilt his shattered world, in large part by utilizing captured Martian technology. Equipped with giant, steam-powered Tripod battle machines, the international rapid reaction force, A.R.E.S., is Mankind’s first line of defense against the return of the rapacious Martian invaders. Based in a massive fortress complex at the south end of Manhattan Island, the young warriors of A.R.E.S. train under the leadership of Secretary of War, Theodore Roosevelt, and the grim General Kushnirov.
And return the Martians do. The rematch finds the multinational squad of the A.R.E.S. battle Tripod Goliath on the front-lines of a vicious interplanetary offensive when the Martian invaders launch their second invasion using even more advanced alien technology. In the crucible of combat, this young team helming the mighty Goliath will be tested to the limits of their endurance and courage as they fight for Mankind’s very survival under the onslaught of an implacable enemy.
Source: Quiet Earth via Avery Guerra. Written by Robert Hood
A strange robotic tourist takes in the sights of Paris in this amazingly seamless video from Benoît Millot, which achieves great visual clarity in its photography and 3D FX.
A day in PARIS from Benoit MILLOT on Vimeo.
Robots of Brixton (UK-2011; short [approx. 5.35 min.]; dir. Kibwe Tavares)
Check out this arty — and rather timely, given what’s been happening in the UK — little robot drama!
Brixton has degenerated into a disregarded area inhabited by London’s new robot workforce – robots built and designed to carry out all of the tasks which humans are no longer inclined to do. The mechanical population of Brixton has rocketed, resulting in unplanned, cheap and quick additions to the skyline.
The film follows the trials and tribulations of young robots surviving at the sharp end of inner city life, living the predictable existence of a populous hemmed in by poverty, disillusionment and mass unemployment. When the Police invade the one space which the robots can call their own, the fierce and strained relationship between the two sides explodes into an outbreak of violence echoing that of 1981.